A ready inclination to cry lèse majesté belongs to the ripeness of a politically and culturally corrupt scene. So too do the insipidity of literature and the jejuneness of art.


The spectacle of decadence has appealed to poets since the time of Juvenal, the heyday of whose authorship came early in the Second Century AD. The hypertrophy and grotesquery of the Imperial City thus provide the background for Juvenal’s remarkable Satires, which presciently mirror the cultural degeneracy of the early Twenty-First Century’s civic scene, quite as well as they do for that of their own Latinate-Imperial milieu. Did Juvenal’s eyes witness him the Urbs on the Tiber or the City by the Bay? Is he writing about Rome’s Stoic salons or UC Berkeley’s Philosophy Department during the visiting professorship of Michel Foucault or again about the disintegration of the humanities departments generally under Deconstruction? “Infection spread this plague, / and will spread it further still… You will be taken up, over time / by a very queer brotherhood,” as Juvenal writes.

Rome had its mysteries two thousand years ago, but then so does West Hollywood today: “You’ll see one initiate busy with an eyebrow pencil [while] a second sips his wine / from a big glass phallus, his long luxuriant curls / caught up in a golden hairnet.” Nor is the modern milieu less free than Rome was under Domitian, say, or Hadrian, of secret police, informers, and goon-squads. A ready inclination to cry lèse majesté belongs to the ripeness of a politically and culturally corrupt scene. So too do the insipidity of literature and the jejuneness of art.

http://www.brusselsjournal.com/node/5113

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